An Interview with John Gossage: Nothing and the Politics of Nothing (2015)
”I go to places and I have the belief that if I can photograph well, the places will educate me to things I do not know about them.”
Search Results for: John Gossage
Robert Adams on John Gossage’s ‘The Pond’ (1986)
One is grateful for The Pond because we are in trouble, and because irony which focuses on the ugliness of man-made juxtapositions does not at this point, by itself, help. By Robert Adams, excerpt from Creative Camera: 30 Years of Writing (Manchester University Press, 2000) Irony, defined as unrecognized incongruity, take many forms as […]
JOHN GOSSAGE
Nicola Buonomo Luoghi A field guide in parts, an attempt at shorthand analysis. Places, not much else needs to be said when so much has already been said. The strong presence of Guido Guidi, as if you were to take his large-format images of Cesena and use a 35mm camera to catch some of his […]
An Interview with John Gossage on ‘There and Gone'” (2000)
“One of the things that helps me with doing a book is getting a title at some point that lets me understand its content. I mean basically, that [points to the title of the book] is what’s in here. This [the first chapter] is ‘There,’ this [the second chapter] is the transition, ‘And,’ and this […]
A Conversation Between Lewis Baltz and John Gossage (2010)
“For me the word ‘photographer’ talks about the means of delivering certain kinds of information, feelings and such. If you’re consistently focused on the means of delivery, it means you’re not getting the message across very clearly.” – John Gossage Interview by Monte Packham Lewis Baltz and John Gossage depict man’s contentious impact on […]
John Maclean: The Agony and Ecstasy of Artistic Influence
“In a sense I was trying to complete a circle: I travelled to the neighbourhoods that had some bearing on the childhood development of my art-heroes and consequently on the art they made as adults, and then I tried to photograph these places through the ‘afterimage’ of the artistic influences these works had imparted on me”
Nicola Buonomo Luoghi
A field guide in parts, an attempt at shorthand analysis. Places, not much else needs to be said when so much has already been said. The strong presence of Guido Guidi, as if you were to take his large-format images of Cesena and use a 35mm camera to catch some of his shadow work. A […]
Andrew Ellis Touch Echoes the Soil
There has rightfully been what I might consider an epidemic of navel-gazing in American photography over the last decade. It sounds awful to say it that way, and maybe to unburden the semantic load of the navel, I might consider it inward, or soul searching, if that is more palatable. When I mention this, it […]
Daniel Shea Distribution
If ever the premise of a body of work was betrayed by its execution, this is that work. I should clarify that this statement is not intended as a pejorative, but rather to note that the simplicity of the means in Shea’s initial premise is a bit of a false lead. It starts with a […]
Bharat Sikka – And Then
Bharat Sikka has been on a substantial creative streak, publishing photobooks often and with high integrity and significance. I had a conversation with him about his last FW: Books titled The Sapper, a tome that explored his relationship with his father, a retired military man. One can see it as a type of collaboration, and […]
Matthew Genitempo – Dogbreath
Matthew Genitempo is producing serious photobooks. Of the three books that I am fortunate to have on my shelves, his latest Dogbreath is one of his finest, but it is hard to create a hierarchy between it, Mother of Dogs, and Jasper. All three titles are excellent offerings, and it would benefit photobook makers […]
Raymond Meeks & George Weld – The Inhabitants
Putting my thoughts on this book together has taken me a while. Most of this comes down to trying to understand how I feel about the subject or lack of subject within the work and the position of the author(s) to that. I often have a knee-jerk reaction when it comes to people photographing […]